John Donne is one of the most
intellectual literary figures in English literature. He was regarded and
honoured as an intellectual giant of his age. He was an original thinker and
his poetry set new trends and won for him the most distinguishing and extra
ordinary title of metaphysical poet. He was the central sun of the little
constellation of metaphysical poets and Cowley, Herbert, Vaughan, Dante and many
others revolved around him like minor stars. He led an unprecedented revolt
against the old Petrarchan traditions.
It is an established and undeniable
fact that Renaissance (the gradual enlightenment of human mind and thought
after the darkness of Middle Ages) had influenced the Elizabethan poetry to a
great extent but John Donne’s works are quite different from the traditional
works of the poets of his time. Hence, he revolted against the conventional
poetic devices and drew original, far-fetched, uncommon and untouched conceits and images to show that he was against the Petrarchan traditions. His
love poems and divine poems are rich in metaphysical elements therefore, he is liked and appreciated as a great love poet and divine poet.
It was John Dryden who, for the very
first time, opined that the works of John Donne and Cowley should readily be
entitled as Metaphysical poetry. Later on, Dr. Samuel Johnson repeated the same
title for John Donne, Herbert and Vaughan but in a contemptuous sense.
Before proceeding the discussion, it
seems to be quite appropriate and suitable to define and explain the term
‘Metaphysical’. Metaphysical means beyond physic.
Different critics exerted their
mind came out with divergent definitions of
metaphysical poetry. Although the definitions are quite different from one
another yet they have reached near the truth.
R. S. Hillyer is of the view that it
means difficult, philosophical, obscure, erudite, supercilious and pedantic
show of strange knowledge. Dr. Johnson has recognized the following
peculiarities of the metaphysical poetry.
- Metaphysical poetry is the pedantic exhibition of strange and philosophic knowledge of the poets. It contains obscure ideas, far-fetched conceits and untouched metaphors.
- Metaphysical poets are very fond of analysis of feelings and passions.
- They try to the fullest extent to dissect the human emotions.
- Metaphysical poetry is meant to eyes and not to ears.
John Donne took poetry to the Alpine
peak and the heights reached by him could not be kept by the later poets. His
poetic works are replete with such examples and instances as are quite enough
to prove that he was a metaphysical poet in the true sense of word. His conceits and
images make his poetry interesting and win the applause of the readers.
In one of his widely read and mostly
appreciated poem ‘Good Morrow’, he uses a couple of conceits and images to ask
his beloved;
“I wonder, by my troth, what thou and I
Did, till we loved? Were we not weaned till then?
But sucked on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?”
John Donne’s greatest merit lies in
the fact that he presents a curious combination of passion and thought. He
stirs the emotions and passions of the readers but at the same satisfies their
intellectual curiosity. In ‘Good Morrow’, he says that they love each other
with equal intensity and thus they will never die. His use of the image of
hemisphere is enough to appease and convince the readers.
The ’Sun Rising’ is another
remarkable poem in which the poet uses wonderful images and startling conceits.
He addresses the sun and forbids him to peep through the window curtains. He
advises the sun not to disturb the lovers and asks bluntly;
“Must to thy motions lovers’ seasons run,
Why shouldest thou thinkest so?”
Later, in the end, he tags a
fantastic couple of conceit and image in a single verse;
“She is all states and all princes I,
Nothing else is!”
In another poem, he says that lover
and beloved are like two legs of a compass. So, his beloved should not bother
about their physical separation because they are connected to each other at a
central point. In ‘A Valediction: Forbidding Mourning’, he tries to convince
his beloved (who asserts that their two souls are not one) through a startling
conceit;
“If they are two they are two so,
As stiff twin compasses are two,
Thy soul the fix’t foot, makes no show,
To move but doth if the other do.”
The whole discussion enables us to conclude that John Donne was a great metaphysical poet of his time. His conceits and images are enough to prove that he is unprecedented.
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